Heritage Lottery Boost for new Stonehenge Visitor Centre

The Heritage Lottery Fund (HLF) has given its funding green light to English
Heritage’s proposals to improve the setting and visitor facilities of Stonehenge, it
was announced today (19th November).
The HLF first-round pass* means that English Heritage can now progress to the
second stage of the HLF application process. As part of the process, English
Heritage has up to two years to finalise its proposals for the £4.95m of HLF support
that they are seeking for their £27.5m project.
Stonehenge receives over 40,000 education visitors every year from both the UK and
around the world. The existing visitor facilities at Stonehenge have no provision for
education and interpretation, with all education activities currently being conducted
outdoors.
A new, multi-functional education area at the proposed new visitor centre at Airman’s
Corner will provide space and facilities for school groups. Community groups and
family activities will also be catered for.
A new, dedicated exhibition and interpretation space will also, for the first time,
provide a much needed introduction to Stonehenge, helping visitors to better
understand the monument and its setting.
Loraine Knowles, Stonehenge Project Director at English Heritage, said: “This is
fantastic news. We are delighted that the Heritage Lottery Fund supports the

project. The project has immense potential for education and training, as well as at
last providing a visitor experience fitting for the country’s most famous monument.”
Carole Souter, Chief Executive of the Heritage Lottery Fund, said: "Stonehenge is
one of the UK's most important archaeological landmarks and a place that has
intrigued and delighted people for thousands of years. The Heritage Lottery Fund's
initial support for these plans to better protect and present the site reflects our
strong belief that Stonehenge is an iconic part of our heritage."

Notes to Editors:
*A first-round pass means the project meets the HLF criteria for funding and they believe
it has potential to deliver high-quality benefits and value for Lottery money. The application
was in competition with other supportable projects, so a first-round pass is an endorsement
of outline proposals.
However, a first-round pass does not guarantee the applicant will receive a grant as the
second-round application will still be in competition for funding, and no money is set aside
at this stage. Having been awarded a first-round pass, the project now has up to two years
to submit fully developed proposals to compete for a firm award.
Using money raised through the National Lottery, the Heritage Lottery Fund (HLF) sustains
and transforms a wide range of heritage for present and future generations to take part in,
learn from and enjoy. From museums, parks and historic places to archaeology, natural
environment and cultural traditions, we invest in every part of our diverse heritage. HLF has
supported more than 28,800 projects, allocating over £4.3billion across the UK.

Stonehenge Special Access Tours - Go beyond the fences!

The best way to visit Stonehenge is to go after hours (with special permission from the English Heritage) These special access tours are only provided by one company (see below) If you want a scheduled sightseeeing tour from London check this company out (The Stoneheneg Tour Company)
However, should you require a private tour of Stonehenge 'beyond the fences' please do not hesitate to contact me -

2009 / 2010 Stonehenge Inner Circle Tours- Including the City of Bath and Lacock Village -
Go beyond the fences!

We have arranged with English Heritage for you to experience a unique guided visit to this ancient sacred site - beyond the fences and after the crowds have gone home. Walk amongst the stones and experience the magical atmosphere within the inner circle.

Highlights:

Private viewing of Stonehenge at sunset or sunrise
Enter the stone circle and touch the stones
Visit Lacock, a delightful Saxon village
See where Harry Potter and Pride and Prejudice were filmed
Meal stop in a 13th century inn (food/drinks not included)
Visit Bath - free time to shop and explore
Entrance to the Roman Baths and Pump Room included



"A Unique Experience!"

For those of you who have not visited this sacred site, we should mention that the complex is roped off. Visitors observe the stones from a distance and are not permitted within the temple complex..........our special access tours allow you to be amongst the stones and to actually touch them. Your guide will bring to life its many myths, legends and rich and fascinating history. All tours depart central London at 6.00am and return mid-day leaving you time to make the most of your stay in London.

The Tour:

After your pick-up directly from or near to your hotel, we drive to Bath to visit the Roman Baths and Pump Room. In the late afternoon we visit Lacock for an early evening supper in a 13th century inn, before driving to Stonehenge. As the sun begins to set, we enter the stone circle (which is normally roped off to the public) for a unique private viewing. The most dramatic and atmospheric way of visiting Stonehenge.

On selected days the tour operates in reverse, beginning with a private viewing of Stonehenge before it opens to the public in the morning, so we see the stones in the eerie morning light. This is followed by our visits to Lacock and Bath.

STONEHENGE - PRIVATE VIEWING AT SUNSET AND TOUCH THE STONES
Built nearly 5,000 years ago, Stonehenge is the most popular prehistoric monument in the world. Most visitors to the site are not allowed direct access to the stones. With Premium Tours you get that access, with a private viewing of the mysterious monoliths. We will enter the stone circle itself and stand beside the mighty Sarsen rocks towering above us. Our guide will explain the history of this ancient site, pointing out the altar, slaughter and heel stones, above which the sun rises dramatically on the summer solstice. There will be time to enjoy the peace, away from the crowds, as we experience Stonehenge at its most mystical and atmospheric best. Not to be missed!

LACOCK

Lacock is a little known, picturesque village dating back to the Saxon era. Many of the beautiful buildings originally formed part of an extensive monastic complex and are now owned by The National Trust. So pretty is the village that it has provided the setting for many movies and television dramas including Jane Austens Pride and Prejudice and more recently Harry Potter and the Philosophers Stone. We will take a delightful walk before we enjoy an early evening supper* (or breakfast for morning tours*) in The George, a vintage English pub built in 1361.
*food/drink not included

BATH
Bath, a world heritage site, is a beautiful Georgian city with delightful crescents, terraces and architecture. There will be plenty of time to visit Bath Abbey, or to shop and explore. Your guide will also conduct an optional walking tour to show you where Charles Dickens lived and worked as a young man, and a give you a chance to sample some delicious cheeses fresh from the local dairy farms. Then we will enter the magnificent Roman Baths, where over one million litres of boiling water still burst free from the hot springs everyday.

The Stonehenge Tour Company - click here

THEORIES ON WHY THE ANCIENTS BUILT STONEHENGE:

Thought I'd share this Stonehenge Joke with you........


It was an early attempt to precisely map positions of stars and planets to facilitate better horoscope writing.


A few people drank too many cups of espresso one morning, had to work it off.


It was a technological innovation from a people way ahead of their time, as explained by the little-known inscription: "Someday we will be able to use this to receive something called 'satellite TV' for free."

And if you have time, read further.............

Stonehenge, Merlin, and gallows humour
Stories that `explain' Stonehenge have been told since the Middle Ages.

People have tried to explain Stonehenge for centuries - certainly since the Middle Ages. The monument probably takes its name from Old English stan hengen - `the stone hanging (- places)', suggesting it could perhaps have been an Anglo-Saxon execution site. But no excavation there has located one of those pathetic, contorted burials that so graphically illustrate early medieval royal control (see BA, February). Although Domesday Book shows that Stonehenge was on a royal estate, it was not the meeting-place of the local hundred court. Nor is it close to a boundary, and although roads went close by, it was not at a crossroads. So it was probably not an Anglo-Saxon `killing-place'; but people who saw in the stone trilithons a similarity to the two-post and crossbeam gallows typical of the period may have given the monument its macabre name - England's first example of gallows humour?

Any joke was lost on Henry of Huntingdon, the author of the work in which Stonehenge is first recorded, for the early copies of his book spelt it stanenges, perhaps because he took the name from an h-dropping Wiltshire native. The section of his History of the English that mentions Stonehenge was issued c. 1130, and it is quite likely that Henry had seen Stonehenge, for he gives an eye-witness account: `stones of remarkable size are raised up like gates, in such a way that gates seem to be placed on top of gates' - a graphic description of how the lintels of the outer sarsen circle are overtopped by the central trilithons.

Henry regarded the monument as one of England's marvels: `no-one can work out how the stones were so skilfully lifted up to such a height, or why they were erected there'. He was soon to be given an explanation, however. Geoffrey of Monmouth's History of the Kings of Britain of c 1136 claimed that Merlin had the stones brought from Ireland and re-erected, using his `wondrous art' at the behest of his British patron. Twelfth century writers understood patronage, and their Histories reflected contemporary tensions by offering legitimisation variously to Normans, English, or Welsh.

Henry accepted Geoffrey's story, but many others since have not, doubting the existence of the `old book' that he claimed was his main source. He must have had some source other than Henry, however, as he put the `h' in his spelling of Stonehenge. But what he says about the monument does not suggest that he had ever seen it; he seems to have thought it a single ring, and makes no mention of the lintel-stones. If he had known the area better, he would not have described Amesbury, beside the Avon, as a mons (`mountain').

If Geoffrey did not know the area, how much trust can be placed in his stories about the stones being moved? The archaeologist Stuart Piggott argued that the story of the transfer of the stones was a folk-memory of the bluestones being brought from Wales. Folklore scholars say that these stories were common-place, and that Geoffrey could have heard them told about other stone rows and circles, and done a bit of transferring of his own.

Stories to `explain' landscape features were probably told often enough; `the tendency of fiction to gather round places and place-names', as the historian Patrick Sims-Williams wrote in a study of their use (or uselessness) in understanding the Anglo-Saxon settlement. One area for which much has been claimed is Uffington, where the long barrow Wayland's Smithy is recorded in a 10th century charter, and where other names around the White Horse, such as the Ring Pit, may seek to locate the exploits of Wayland, the mythical smith. Barrows, recognised as ancient burial places, were particularly likely to acquire heroic names. But in general the boundary marks in Anglo-Saxon charters are boringly prosaic. The circuit of an estate close to Stonehenge went `from the Avon to the old camp ditch . . . to the track . . . to the boundary that Wulfsige laid down', recognising previous use of the land with its reference to an Iron Age or Roman enclosure but not giving it a fabulous origin. Ownership rights are stressed by the reference to Wulfsige. Heroes, giants and gods are allowed an occasional place, but overall the landscape is viewed as parcels of property.

Local people may have told stories about Stonehenge, but the monument's name does not suggest anything but some grim tale about an execution - or it may just be a nickname. It can only be said that, from archaeological evidence, medieval people seem not in fact to have used the place at all. It was what Henry of Huntingdon said, a marvel, but it had no role to play in the medieval landscape of managed, demarcated downland, where the king's sheep grazed under the watchful eyes of their shepherds.

One of these shepherds may have spoken to Henry of Huntingdon. When Henry asked for an explanation of the monument, the shepherd did not reply with a story about Merlin and the rest, but gave the answer that summed up local knowledge and has not changed since - `I don't know.'